Friday, May 30, 2014

Streaming L'étrange Mme X (1951) Online

L'étrange Mme X (1951)L'étrange Mme X (1951)iMDB Rating: 6.8
Date Released : 24 May 1951
Genre : Drama
Stars : Michèle Morgan, Henri Vidal, Arlette Thomas, Louise Conte. Can a person really lead a double life? It looks as though Irène can. On the one hand, she is the wife of Jacques Voisin-Larive, a big name in the publishing world. On the other hand she pretends to be a simple chambermaid when she is with Etienne, a handsome young cabinetmaker. But what will happen when Irène gets pregnant?" />
Movie Quality : BRrip
Format : MKV
Size : 700 MB

Download Trailer Subtitle

Can a person really lead a double life? It looks as though Irène can. On the one hand, she is the wife of Jacques Voisin-Larive, a big name in the publishing world. On the other hand she pretends to be a simple chambermaid when she is with Etienne, a handsome young cabinetmaker. But what will happen when Irène gets pregnant?

Watch L'étrange Mme X Trailer :

Review :

Physicality and mise-en-scene

Thanks DB For me the big surprise is the virtually archetypal "Cinema de Qualite"/Studio look of the film - extreme low contrast, highly lit "luxe". The mise-en scene otherwise is quite unlike earlier Gremillons

  • no whip pans, anticipatory or reactive camera movements,etc and what


seems like fairly routine decoupage based scene construction. Certainly compared to, say, Gueule d'Amour there is no change in the pearly tonalities of the image.

But the focus on the actors' physicality, in particular Henri Vidal is pushing my gaydar way into the red. There's something going on here behind the obvious. Gremillon's camera seems to give him the attention and the unblinkingly loving eye that Grem only otherwise gives to men - very briefly - in the opening prison scene of la Petite Lise, or the handsome dancing stranger who "takes" the Gypsy girl Zita during the ball scene in Maldone. Or the final image of Gabin and Rene Lefevre together at the end of Gueule. Many more viewings required however.

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