Streaming Wonder in Milaan Online

Wonder in Milaan (1951)iMDB Rating: 7.8
Date Released : 8 February 1951
Genre : Comedy, Drama, Fantasy
Stars : Emma Gramatica, Francesco Golisano, Paolo Stoppa, Guglielmo Barnabò. An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. When Totò goes out in the world, he expects everyone to be open-hearted as himself, but it isn't so. Without belongings and a place to live, he soon turns up among other homeless people, living scattered in ..." />
Movie Quality : HDrip
Format : MKV
Size : 870 MB

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An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. When Totò goes out in the world, he expects everyone to be open-hearted as himself, but it isn't so. Without belongings and a place to live, he soon turns up among other homeless people, living scattered in boxes and cement pipes on a vast, barren field outside Milano. With his energy and enthusiasm Totò quickly engages the outcasts in transforming the place into a small shanty town. The eccentric misfits are turned into a warm-hearted community. But among them is an egoist, a traitor. When squirts of oil suddenly springs up from the ground, he sneaks away and informs the wealthy Mr. Mobbi about it, who buys the land and tries to get rid of the outcasts. At this crucial moment, the spirit of Totò's dead mother appears, and gives him a magic dove. With its magic power he fulfills all wishes of the ...

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Review :

For True Film Lovers Only

The snobs and pseudo experts consider it "a far cry from De Sica's best" The ones suffering from a serious lack of innocence will find a problem connecting to this masterpiece. De Sica spoke in a very direct way. His Italianness doesn't have the convoluted self examination of modern Italian filmmakers, or the bitter self parody of Pietro Germi, the pungent bittersweetness of Mario Monicelli, the solemnity of Visconti or the cold observation of Antonioni. De Sica told us the stories like a father sitting at the edge of his children's bed before they went to sleep. There is no attempt to intellectualize. Miracolo A Milano and in a lesser degree Il Giudizio Universale are realistic fairy tales, or what today we call magic realism. The film is a gem from beginning to end and Toto is the sort of character that you accept with an open heart but that, naturally, requires for you to have a heart. Cinema in its purest form. Magnificent.